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Southerly

Presented at

M P Birla Millennium Art Gallery of the Bhavan, London

8 November 2024 · 17:00–20:00

About the exhibition

Southerly was the first exhibition presented by Landless, bringing visual art and live performance together at M P Birla Millennium Art Gallery of the Bhavan. The project takes its name from a passage in Hermann Hesse’s Peter Camenzind in which a southerly wind and the sound of an avalanche stir both reverence for nature and an awareness of human mortality. This coexistence of comfort and unease became a shared point of departure for artists working across moving image, sound, movement, sculpture and material practices.

The exhibition asked how the apparent continuity and abundance of the natural world might unsettle a person searching for a secure place within it. These questions were approached through encounters with particular works: the distributed screens and layered surfaces of SungHoon Song’s Waver, bodily movement, crafted objects and audiovisual performances. Rather than fixing the inquiry in a single account, the programme allowed distinct practices to give it different rhythms and physical forms.

Directed by Landless in collaboration with curators Eunbee Kim and Hanbyul Lee, Southerly treated the exhibition as a gathering whose meaning developed through the presence of its participants. The movement of performers and audiences connected works across the gallery, opening an ongoing conversation about anxiety, human finitude and the possibility of living alongside uncertainty.

Credits

Presented / creative direction: Landless

Landless team for this exhibition: SungHoon Song & Donna Kim & Seongmin Kim

Curators: Eunbee Kim & Hanbyul Lee

Participating artists

Bon Music aka Bon Music Vision Livi Carpenter & Betty Read Tom Fairlamb Woo Jung Ghil Donna Kim & Dohee Park Seongmin Kim Simone Martis PHASES Laura Selby SaeRi Seo SungHoon Song Mai Nguyen Tri Yijia Wu

Related work

Waver ↗
Southerly — full exhibition documentationVimeo ↗
Exhibition

Works in space

Exhibition installation view
Installation view with painting and sculptural work
Audiovisual installation view

What are we having for breakfast?

Yijia Wu

Carved stone and egg slicer

A familiar breakfast utensil and carved stone bring memories of home into an encounter with an everyday object. The work considers how intimate family relationships remain embedded in the rituals of preparing and sharing food.

What are we having for breakfast? — Yijia Wu. Installation detail at Southerly, 2024.

Cutlery

Yijia Wu

Brass, spoons and silver

Utensils become a material language for memories of food and home. Their altered forms attend to the fluidity of recollection and the personal relationships carried by ordinary objects.

Cutlery — Yijia Wu, shown alongside What are we having for breakfast? Southerly, 2024.

Where did they all go?

Livi Carpenter & Betty Read

Ink on paper and text

A visual narrative unfolds through a conversation between two friends. Moving between imagined worlds and experiences of plague and pandemic, the book considers how people make sense of absence and their place within a changing world.

Where did they all go? — Livi Carpenter & Betty Read. Installation view at Southerly, 2024.

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Tom Fairlamb

Hand-painted snail with a motorised gear and pulley system

A snail’s slow movement draws attention to duration and nearly imperceptible change. The small mechanical encounter asks the viewer to spend time with a pace that can easily escape notice.

Tom Fairlamb — snail installation detail at Southerly, 2024.

Savouring silence 13: Self-portrait

Woo Jung Ghil

Oil on carved wood

Repetitive marks and a worked wooden surface turn the act of painting towards inner quiet. Nature becomes a means of approaching a self-portrait through sensation and reflection.

Savouring silence 13: Self-portrait — Woo Jung Ghil. Southerly, 2024.

Crooked Good Child

SaeRi Seo

Porcelain, oxidation firing at 1250°C

A fractured vessel and emerging forms address memories of exclusion in childhood. The ceramic object holds breakage and resilience together, giving a physical shape to experiences that are difficult to express directly.

Crooked Good Child — SaeRi Seo. Installation view at Southerly, 2024.

Motherly Love

Seongmin Kim

Carved freshwater pearl, mother-of-pearl and silver

Interlocking fragments suggest protection and maternal connection. The relationship between shell, pearl and supporting forms gives an intimate bond a small, tactile structure.

Motherly Love — Seongmin Kim. Jewellery installation detail at Southerly, 2024.

Echoes of Emotions

Seongmin Kim

Freshwater pearl, mother-of-pearl, silver and brass

Fifteen charms gather memories and emotions associated with the artist’s mother. Arranged on soft fabric, these small objects translate recollection into a material encounter.

Echoes of Emotions — Seongmin Kim. Jewellery installation view at Southerly, 2024.

Pantheon

Bon Music aka Bon Music Vision

Single-channel digital video and audio; field recordings and generative synthesis

Images of nature, field recordings and generative sound meet traces of internal memory. Interruptions and glitches unsettle the apparent continuity of the image and the certainty of perception.

Pantheon — Bon Music aka Bon Music Vision. Projection view at Southerly, 2024.

Carving Air

Donna Kim & Dohee Park

Sculpture and performance

Breath and movement bring a sculptural form into a live encounter. The performance attends to cycles of anxiety and recovery through the body’s relationship with the space it occupies.

Carving Air — Donna Kim & Dohee Park. Sculptural installation before the performance.

.weshallrest

Simone Martis

Performance

A duet between a body and an object considers the physical weight of work. Rest, effort and the handling of materials become ways of approaching labour and exploitation.

.weshallrest — Simone Martis. Live performance at Southerly, 2024.

You

Mai Nguyen Tri

Video projection and performance

A film is followed by a solo Butoh performance. The transition from projected image to bodily presence traces a movement from despair towards connection.

You — Mai Nguyen Tri. Live performance at Southerly, 2024.

Monocle

PHASES

Eight-channel sound, cyanotype prints and PVC sheets

Fragmented forest recordings form a spatial collage around cyanotype images. Light, absence and resonance bring the fleeting conditions of a natural environment into the gallery.

Monocle — PHASES. A visitor listening within the installation, Southerly, 2024.
Monocle — PHASES. Installation detail at Southerly, 2024.

Contamination traces, more than human mapping

Laura Selby

Chromatographic prints on textile

Soils from OmVed community gardens leave material traces on textile. The work approaches mapping as a collaboration with more-than-human processes, allowing the properties of the soil to participate in the image.

Contamination traces, more than human mapping — Laura Selby. Chromatographic prints on textile.

Waver

SungHoon Song

Multichannel moving image, projection, semi-transparent fabric, scaffolding props and sand

Nine small screens showing embracing couples sit across three scaffolding props behind a semi-transparent fabric. A larger projection of light and solitary figures overlays these intimate scenes. The viewer’s changing position brings closeness and distance, togetherness and solitude into a spatial encounter.

Waver — SungHoon Song. Installation view at Southerly, 2024.
Live programme

Performances

Contamination traces, more than human mapping

Performance: Laura Selby

8 November 2024 · 18:00 · 15 minutes

Laura Selby’s live contribution extends the work’s attention to material traces and more-than-human processes.

.weshallrest

Performance: Simone Martis

8 November 2024 · 18:30 · 10 minutes

A body–object duet exploring effort, rest and the physical conditions of labour. Artistic consultant: bXu.

You

Performance: Mai Nguyen Tri

8 November 2024 · 19:00 · 25 minutes

A projected film leads into a solo Butoh performance by Mai Nguyen Tri.

Carving Air

Performance: Donna Kim & Dohee Park

8 November 2024 · 19:30 · 8 minutes

Donna Kim and Dohee Park activate the sculptural work through breath and movement, with the audience gathered around the live encounter.

Carving Air — Donna Kim & Dohee Park. Live performance with the audience, 8 November 2024.
Performance with audience gathered in the gallery
Exhibition opening, wide gallery view
Audience and installation overview
Paper folding in the gallery — Southerly, 2024.
Performance with audience
Audiovisual performance and audience
Seated audience and performance
Live performance in the gallery
Performance and audience in low light