Southerly
M P Birla Millennium Art Gallery of the Bhavan, London
8 November 2024 · 17:00–20:00
About the exhibition
Southerly was the first exhibition presented by Landless, bringing visual art and live performance together at M P Birla Millennium Art Gallery of the Bhavan. The project takes its name from a passage in Hermann Hesse’s Peter Camenzind in which a southerly wind and the sound of an avalanche stir both reverence for nature and an awareness of human mortality. This coexistence of comfort and unease became a shared point of departure for artists working across moving image, sound, movement, sculpture and material practices.
The exhibition asked how the apparent continuity and abundance of the natural world might unsettle a person searching for a secure place within it. These questions were approached through encounters with particular works: the distributed screens and layered surfaces of SungHoon Song’s Waver, bodily movement, crafted objects and audiovisual performances. Rather than fixing the inquiry in a single account, the programme allowed distinct practices to give it different rhythms and physical forms.
Directed by Landless in collaboration with curators Eunbee Kim and Hanbyul Lee, Southerly treated the exhibition as a gathering whose meaning developed through the presence of its participants. The movement of performers and audiences connected works across the gallery, opening an ongoing conversation about anxiety, human finitude and the possibility of living alongside uncertainty.
Credits
Presented / creative direction: Landless
Landless team for this exhibition: SungHoon Song & Donna Kim & Seongmin Kim
Curators: Eunbee Kim & Hanbyul Lee
Participating artists
Bon Music aka Bon Music Vision Livi Carpenter & Betty Read Tom Fairlamb Woo Jung Ghil Donna Kim & Dohee Park Seongmin Kim Simone Martis PHASES Laura Selby SaeRi Seo SungHoon Song Mai Nguyen Tri Yijia Wu
Related work
Waver ↗Works in space
What are we having for breakfast?
Yijia Wu
Carved stone and egg slicer
A familiar breakfast utensil and carved stone bring memories of home into an encounter with an everyday object. The work considers how intimate family relationships remain embedded in the rituals of preparing and sharing food.
Cutlery
Yijia Wu
Brass, spoons and silver
Utensils become a material language for memories of food and home. Their altered forms attend to the fluidity of recollection and the personal relationships carried by ordinary objects.
Where did they all go?
Livi Carpenter & Betty Read
Ink on paper and text
A visual narrative unfolds through a conversation between two friends. Moving between imagined worlds and experiences of plague and pandemic, the book considers how people make sense of absence and their place within a changing world.
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Tom Fairlamb
Hand-painted snail with a motorised gear and pulley system
A snail’s slow movement draws attention to duration and nearly imperceptible change. The small mechanical encounter asks the viewer to spend time with a pace that can easily escape notice.
Savouring silence 13: Self-portrait
Woo Jung Ghil
Oil on carved wood
Repetitive marks and a worked wooden surface turn the act of painting towards inner quiet. Nature becomes a means of approaching a self-portrait through sensation and reflection.
Crooked Good Child
SaeRi Seo
Porcelain, oxidation firing at 1250°C
A fractured vessel and emerging forms address memories of exclusion in childhood. The ceramic object holds breakage and resilience together, giving a physical shape to experiences that are difficult to express directly.
Motherly Love
Seongmin Kim
Carved freshwater pearl, mother-of-pearl and silver
Interlocking fragments suggest protection and maternal connection. The relationship between shell, pearl and supporting forms gives an intimate bond a small, tactile structure.
Echoes of Emotions
Seongmin Kim
Freshwater pearl, mother-of-pearl, silver and brass
Fifteen charms gather memories and emotions associated with the artist’s mother. Arranged on soft fabric, these small objects translate recollection into a material encounter.
Pantheon
Bon Music aka Bon Music Vision
Single-channel digital video and audio; field recordings and generative synthesis
Images of nature, field recordings and generative sound meet traces of internal memory. Interruptions and glitches unsettle the apparent continuity of the image and the certainty of perception.
Carving Air
Donna Kim & Dohee Park
Sculpture and performance
Breath and movement bring a sculptural form into a live encounter. The performance attends to cycles of anxiety and recovery through the body’s relationship with the space it occupies.
.weshallrest
Simone Martis
Performance
A duet between a body and an object considers the physical weight of work. Rest, effort and the handling of materials become ways of approaching labour and exploitation.
You
Mai Nguyen Tri
Video projection and performance
A film is followed by a solo Butoh performance. The transition from projected image to bodily presence traces a movement from despair towards connection.
Monocle
PHASES
Eight-channel sound, cyanotype prints and PVC sheets
Fragmented forest recordings form a spatial collage around cyanotype images. Light, absence and resonance bring the fleeting conditions of a natural environment into the gallery.
Contamination traces, more than human mapping
Laura Selby
Chromatographic prints on textile
Soils from OmVed community gardens leave material traces on textile. The work approaches mapping as a collaboration with more-than-human processes, allowing the properties of the soil to participate in the image.
Waver
SungHoon Song
Multichannel moving image, projection, semi-transparent fabric, scaffolding props and sand
Nine small screens showing embracing couples sit across three scaffolding props behind a semi-transparent fabric. A larger projection of light and solitary figures overlays these intimate scenes. The viewer’s changing position brings closeness and distance, togetherness and solitude into a spatial encounter.
Performances
Contamination traces, more than human mapping
Performance: Laura Selby
8 November 2024 · 18:00 · 15 minutes
Laura Selby’s live contribution extends the work’s attention to material traces and more-than-human processes.
.weshallrest
Performance: Simone Martis
8 November 2024 · 18:30 · 10 minutes
A body–object duet exploring effort, rest and the physical conditions of labour. Artistic consultant: bXu.
You
Performance: Mai Nguyen Tri
8 November 2024 · 19:00 · 25 minutes
A projected film leads into a solo Butoh performance by Mai Nguyen Tri.
Carving Air
Performance: Donna Kim & Dohee Park
8 November 2024 · 19:30 · 8 minutes
Donna Kim and Dohee Park activate the sculptural work through breath and movement, with the audience gathered around the live encounter.